Encouraging a dialogue that transcends traditional boundaries

Martes in sculpture whose unique perspective is deeply rooted in his diverse background, shaped by adventurous spirit with travels and his experiences living in both Peru and England. This rich tapestry of culture has contributed to , influencing his artistic identity. With over 40 years with a material like Wire, Martes has honed his skills in the original techniques of sculpture, primarily employing wire to create intricate, thought-provoking pieces. Throughout his journey, Martes has enjoyed numerous commissions and residency projects, each playing a vital role in the evolution of his artistic vision. His passion for art extends beyond personal expression; he has actively participated in various charity exhibitions, firmly believing in the transformative power of primary appreciation of simplicity, for to incite positive change and foster connections for learn. Martes approaches creativity with an open mind, valuing diverse perspectives within the ever-evolving landscape of the modern world. His work is an invitation for the viewer to explore, reflect, and engage with innovative ways, encouraging a dialogue that transcends traditional boundaries

Active since 1986, this multidisciplinary creator seamlessly blends raw technical expertise with boundless imagination. His artistic identity transcends traditional boundaries, moving fluidly beyond drawing, painting, and sculpting.

Driven by a deep admiration for architecture and literature, alongside an enthusiasm for science, he approaches art as an open-ended exploration of everything that captures his attention.

His distinctive vision is heavily shaped by an extensive background in practical crafts. Throughout his career, he has mastered diverse skills including welding, foundry, jewellery making, macramé textiles, mechanics, and electrics. Each of these disciplines leaves a perceptible mark on his work, revealing a meticulous attention to material, structure, and adtract realism .

His profound connection to his chosen materials traces back to two pivotal, early experiences. The first serious encounter with the material that define most of his work, took place at a technical school for electric engines, which introduced him to the fundamental mechanics that define much of his current way to to interpreted sculpture. This technical grounding was later enriched in Peru, where he immersed himself in the rich traditions of local artisans and master metal smiths (orfebres), permanently fusing industrial precision with soulful, time-honoured craftsmanship.

His work has been featured in various newspapers, art magazines, and other media outlets. here from 1996 Eton College Chronicle. " It was a nice and interesting surprise, not only because I was unaware of it at the time, but also because of the compelling story behind the artwork portrayed in the picture.. "